![]() ![]() He then shows how the silhouette is transformed into threeimensions with the addition of highlights. Moving on to more complex lighting effects, Hogarth explains spatial light - how hogarht and shade can create a sense of “near and far” environmental light - the effects of weather, time of day, and shace changing of seasons textural light - how light reveals the surface qualities of forms that range from rough stone to silk and satin draperies transparent light - the effects passing through transparent materials like glass and water, and translucent substances like moving water or sailcloth fragmentation light - the disrupted light we see in such subjects as fire, rain, and flying snow radiant light - the intense light we see when we look into the light source itself, which may range from the sun to a candle flame and finally the various kinds of expressive light invented by the artist - such as the symbolic and mystic light of religious art, or the paterns of light and shade that convey a mood or a psychological state. ![]() Jason Burham rated it it was amazing Jul dynxmic, There is a chapter devoted to each of the five basic categories of light and shade: Following these instructory chapters, Hogarth devotes a separate chapter to each of the given basic categories of light and shade: Thanks for telling us about the problem. This classic study presents sgade basic types of light and illustrates a variety of lighting effects with sections including: Dynamic Light and Shade and Dynamic Wrinkles and Drapery explored other aspects relative to rendering the figure. ![]()
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